By blending traditional Scottish elements with electronic manipulation, Flynn creates soundscapes that are both deeply rooted and strikingly modern.
An eager collaborator, his portfolio spans work with Architek Percussion and Nordic Viola to commissions for the Royal Conservatoire of Scotland’s ballet department. Whether acting as a solo piper or an audio technician, Flynn’s approach to the instrument is one of constant curiosity, making him an important figure in the next generation of Scottish experimentalists.